Yet every fiction writer bases characters on real people. Memoirists and nonfiction writers identify people by name.
What motivated this person? What was going on inside their head? How did they go from quiet and nerdy to hateful and violent? Were they isolated, disenfranchised, lost?
Were they triggered or born a monster? We usually blame mental health issues, poor upbringing, bad wiring, and then we move on. But writers are encouraged to go deeper when writing villains, antagonists and antiheroes. Real human beings, villains included, have reasons for what they do.
They need a motive. Doing so makes your villain more believable Going from Pole to Pole In most cases, it takes time for an individual or character to cross the line. They are pushed to their limit; they snap. In The Art of Dramatic Writing, a book on the craft of playwriting, author Lajos Egri calls the process going from pole to pole.
After they had kids, she changed her ways but eventually abandoned the family. The man fell into despair. He recovered and learned to provide for his children as a single parent. It was a thankless job, Egri writes. The kids disrespected him, then left him as well.
The man lost his house, then his job. He withdrew from social situations. When someone cracked a joke about his depression, he snapped and stabbed the man to death. How does a natural-born citizen become a radicalized terrorist? What social, physical, and psychological forces are at play?
Consider a fictional teenager in high school. Later, he prank calls parents from a school bus after a football game and gets kicked off the team.
Without after-school sports, he starts smoking pot and falls in with some unsavory individuals. He goes online and interacts in chat rooms. Perhaps an online magazine helps him channel his anger. The radical ideology challenges power and authority. It seems to speak the truth.
He contributes through comments, posts, likes, and shares. Someone from a chat room reaches out to him. This person, acting like a mentor, promotes a sense of adventure and calls the troubled soul to take a rite of passage.
Maybe the young man trains. If he evades detection, he strikes. Their breaking point could be any number of triggers: Have these conflicts occur in the context of tough economic times or during a catastrophic event, and that breakdown becomes more potent.
The television series Breaking Bad beautifully demonstrates a character going from pole to pole. In the pilot, the protagonist, Walter White, is diagnosed with terminal lung cancer.
He never took a chance or found his way.Scarlett Johansson won a defamation suit against a French writer for creating a promiscuous character who happened to look like the movie star.
Centuries: 16th 17th 18th 19th 20th 21st Films Non-Fiction Plus separate pages dealing with: Tunnels The Thames Spitalfields Cakes Abandoned Buildings & Lost London. Novels have been set in London since novels have been written, and there's barely a British novelist who HASN'T set at .
It's unlikely that the writers who created these characters consciously decided they would give them an undiagnosed mental disorder as one of their traits.
Maybe they were just borrowing behaviors of a "quirky" friend, or maybe the writers suffered from the disorder and wrote the characters to mimic. Writing about real-world mental illness, or realistic characters who are experiencing mental illness, is one thing, but literature also has a long history of ‘crazy’ characters.
These characters possess a fantastical, fictional form of mental illness which bears no relation to real world instances, but rather serves as a starting point for.
🔥Citing and more! Add citations directly into your paper, Check for unintentional plagiarism and check for writing mistakes. Writing Fictional Characters with Disorders, Disabilities, & Mental Illnesses Uncategorized / Wednesday, April 22nd, As I delve deeper into the world of writing, I’ve been thinking more and more about character building, particularly as in regards to characters with disabilities and disorders.