Credit Liz Westreused under Creative Commons In one of my previous posts I talked about how I use character biographies for my book.
The journey itself is a measure of where the character is along the progression between these two points: Everything else is preparation for this quest, progress along this quest, and aftermath of this quest.
The simple graph you see is the thing that is going to ensure that your novel has both incredible characters and satisfying plot. The Seeds of Change The knot is the thing that is wrong with your character.
You as novelist act as Fate or God over this character. So you begin sending difficulties into her life. She wants to keep things the way they are—stay in an abu- sive relationship, give up on her dreams, not stand up for herself, hang on to her bitterness, etc.
So you, as a good fiction deity, rain on her parade. You bring in positive examples of what her life could be like if she were to try an alternative way.
And then you put the squeeze on her something I like to call Escalation. But through the course of the tale you will show her clearly how her solu- tion is harming her and you will show her the bright, happy land she could enter if she went the new way.
She needs to be able to perceive what her alternatives are. What the character chooses in that moment is the all-important thing, the infinite pause when heaven and earth hold their breath to see what this person elects to do in her instant of perfect free choice.
The aftermath of that choice leads to the Final State and the end of the story. Your book is about what your main character decides at her moment of truth.
Everything else is just the vehicle to drive her to that pen- ultimate moment. Can you see how this is an application of our simple graphic?
The trip from one to the other is your story. But to keep your characters interesting you must also think about what your character can become. In fiction, as in life, people resist change.
Right up until the moment when it hurts too much. People dislike change, but they dislike unacceptable pain and consequences even more.Nov 17, · How to Create a Character. In this Article: Article Summary Creating a Compelling Character Organizing a Character Profile Adapting as You Write Community Q&A Creating a character when you’re writing a book, short story, or screenplay can be fun and exciting!
Character profiles are especially helpful for novels which involve several main characters and for stories which use multiple points of view. Character profiles are useful when writing in any genre. Depending on the genre in which you write, you will create additional sections on the Character Profile Worksheet.
Writing character profiles is an easy way to invent characters and to come up with short story ideas or start a novel outline. Use these helpful questionnaires to begin. Menu. Probably your book will be about a character who changes for the best.
But there’s also room for characters who change for the worse. Indeed, though they may lead to depressing, poor-selling books if given the lead role, these tragic characters are fascinating to watch.
Besides, the above mentioned perks of exploiting a character bio make it an essential part of writing a fiction novel. Moreover, creating your own persons, though not real but unique, is fascinating. Still, most probably novice fiction writers don’t tend to think so simply because they get lost while overthinking what they should include and what shouldn’t.
Writing character backstory that feels real: 5 tips Character backstory – the past events and formative experiences that shape who your characters are – is key to creating characters of breadth and depth.